导演：
居伊·德波
主演：
未知
状态：
HD中字
剧情：
Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
更多关于 关于在短时间内的某几个人的经过
8.0
第24集完结
田鸿杰 季美含 陈康 郑丞丞 尹蕊 叶啸秋 胡浩帆 陈稳 刘帆昕 王逸嘉 冯建宇 许馨文 柏智杰 臧一人
该剧改编自畅销书作家文吉儿的小说《春风习习人间谣》，《一起长大的约定》为该书的重点篇章
8.0
更新至20241130期
苑琼丹 刘维 方家翊 李菲儿 孟佳 冉高鸣 伍嘉成 王瀚哲
节驲将约请7位明星主理人，联足各具特征的主播开资人经由历程3场直播年夜考，终究选出1个年度光枯团队、3名年度光枯主播，失失落百亿流量扶持。
7.3
第38集完结
于和伟 富大龙 丁勇岱 白凡 马苏 黄曼 刘凯 赵阳 李溪芮 胡明 李泓良 孙浩 郑晓宁 颜世魁 冯国强 杜功海 李宝安 周波 邵兵 李泰 王玉宁 武笑羽 曹卫宇 赵岩松 安冬 要武 曹骏 朱辉 高海鹏 刘恩尚 石文中 刘泊霄 白威 于俭 孙玮 柳明明 孙强 李春嫒 秦旋 王茂蕾 许之糯 常荻 刘喆 王奕盛 潘宏梁 霍政谚 陈子潇 朱义 李田野 崔文静 张旭 梅洋 封新天 林一霆 党伟 刘洁 薛淑洁 薛淑杰
90年代的中昌省河昌市，基层民警秦川凭借自身努力求学深造，终于如愿成为一名刑警。在师父高建设、好友叶茂生壮烈牺牲后，秦川更加坚定了自己捍卫正义，制裁犯罪分子的决心，先后参与侦破多起案件，逐渐成长为中昌
9.4
更新至20241223期
郭艾伦 孟子义 庞博 张云龙 张予曦
一档运动少年励志成长类节目，从全国各大中高校、体育赛场上选拔出60位篮球少年，他们将在校园集结，通过集体生活，以赛代练，最终将有10人成为夏季冠军。
8.7
更新至20241224期
李晨 郑恺 沙溢 白鹿 周深 宋雨琦 张真源
漫步于茶马古道，感受古韵文化与自然风光的合奏齐鸣，一路悠然铃声响，在自由与快乐中交换真挚情谊，云南开跑，一路同行，山高路远，沿途都是好风景！
6.5
更新至20241225期
宁静 张萌 苏可 陈宥维 徐艺真 李沐宸 何健麒 盛一伦 许梦圆 欧阳娣娣 林墨 代高政 史元庭 舒童 钟熙 苗维伦 乔靖雯 屈梦汝 周骏超 刘擎 张语格 吴悠悠 李明峻 徐菲 刘亭希 曾雪瑶 蒋鹏宇 胡世群
国内首档“微短剧+综艺”创新真人秀。作为《开播！情景喜剧》系列IP的第三季，节目将目光对准当下火热的微短剧行业，以六大经典影视IP剧目为基础，总监制宁静与监制张萌、苏可共同组成监制团，陈宥维作为演员代
9.0
第28集完结
檀健次 张柏嘉 朱嘉琦 陆妍淇 周彦辰 郑云龙 秦海璐 房子斌 谢可寅 金世佳
第两季也将继启“绘色隐影，绘睹人心”那一故事内核，正在对绘像的勾描中使得复杂的人心隐影，洞悉幽微兽性、照睹世间现真。正在模拟绘像师沈翊（檀健次 饰）、侦缉队少杜乡（金世佳 饰）等人组成的猎功小分队的配
7.6
第21集
张颂文 白百何 周一围 侯岩松 张耀 夏梦 林家川 是安 郝富申 郝汉 李乃文 海一天 张馨予 姜珮瑶 尤靖茹 程茉 王沛禄 张天阳 莫小奇 宋楚炎 林鹏 陆妍淇 汪铎 任运杰 李逸男
该剧改编自冶文彪的同名小讲。宋代年间，东首皆雀女巷一角死涯着赵没有尤（张颂文 饰）、温悦（黑百何 饰）等性情迥同的一家五心人。赵没有尤本是年夜理寺最底层的掀书小吏，只念过寻常的炊水驲子，妻子温悦却专心
6.5
更新第139集
常蓉珊 瞳音 叶知秋 阎么么 藤新 刘明月
六千年前，魔神皇枫秀与七十两根魔神柱突如其来，一切死物沾染魔神柱散收的气息，马上会变同成魔族死物，人类随之进进阴郁年月。随后，人类强者自止构制六年夜圣殿，阻挠魔族先进的足步，逐渐造成人魔共存的局里。
7.6
正片
徐冬冬 南笙
TNT犯罪组织为实现侵入全球金融系统的目的，绑架了AI专家方力。妻子雅美作为已经归隐的前ATO特工，为解救丈夫，重新加入组织。组织头目索尔利用冷血杀手蜜桃对雅美展开追杀，阻挠营救。雅美层层突破，成功营
